In my opinion, Vivien Leigh is one of the most timeless beauties I have ever seen. For this reason, I am somewhat critical of the sculpts that I have seen of her. Tonner does a good job of capturing her beauty (I still prefer the Franklin Mint version though), but there is an "edge" to her features that they seem to have missed, and as many have noted before, the hair is definitely the wrong shade. This is quibbling though when it comes to this particular doll, as the fabric, drape, and accessories are very well done. The feathers on the hat are ridiculously large, but if one wanted to fix/trim them, it could probably be done with ease.
This particular outfit is pretty much the standard whenever a doll company attempts to do Scarlett, and I would say this is for three reasons. First, it is obviously a beautiful dress; not very complicated, it is rather simple yet elegant. The two shades of green, the soft velvety fabric...costume designer Walter Plunkett knew his stuff! Reason #2 is because of how it was 'created' according to the book and movie. Way before Maria Von Trapp yanked her curtains down for playclothes in the movie "The Sound of Music," Scarlett O'Hara was pulling down her mother's portières for a much more dire reason: survival. Reason #3: this signifies a turnaround in Scarlett's maturity. She has fulfilled her father's early prophecy that eventually her "love of the land" will take over her. Misguided as it is to sell herself in marriage to a man she doesn't care for (Frank Kennedy) to save Tara, it is a far cry from her first marriage (attempting to make Ashley jealous).
For the first photo, I have placed Scarlett in Atlanta, with the Robert Schade Civil War Cyclorama as her backdrop.
To see more Scarlett O'Hara doll photos, visit my regular website.
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